Tag Archives: Amir Dwian

BBC4…Borgen. Loses its rythm as it heads out to Africa.

27 Jan

Borgen has a formula that over the two seasons we have watched it has worked very well. The formula encompasses three main themes Danish Media, Danish Parliamentary Politics and the lives of those who inhabit these spheres of Danish life.

These are the programmes strengths and as the saying goes if it ain’t broken don’t fix it. It seems the writers ignored that and decide to “fix” Borgen in the last two episodes.

When we last left Birgitte Nyborg she was under pressure following the breakdown of the coalition.  Often in politics when things are looking tricky at home, politicians seek refuge in foreign adventures to ease the pressure it is no different in Denmark it seems. We are introduced to the Republic of Kharun a fictitious Africa republic.  The country apparently is in the middle of a conflict between a largely Arab Muslim north and an African christian south.

Sounds familiar you might say, well you would right for all intents and purposes this was Sudan.  From the President of the North being wanted for war crimes, the only pipeline for the export of oil going through the North and the North cheating the South of millions in Oil revenues.

So the scene was set for Borgen’s political drama to go international, but it was at this point it all fell apart. What we know to be a complex and drawn out conflict was reduced to a conflict of ego’s between two unreasonable African’s leaders that needed the firm hand of Danish diplomacy to sort out.

The characterisation of  the leaders of both North and South Kharun were depicted in a cartoon-ish manner , both roles incidentally were played by British actors.

The northern leader was  a died in the wool Islamist, who refuses to shake hands with women or speak in English in public despite being Cambridge educated. The reason was it doesn’t play well to the public at home, but all his appearances were in the privacy of conference rooms.  The other  was the uber-saintly rebel who only wants the best for his people.

Not content with the two-dimensional representation of these two characters,  the dual episode turned its sights on the conflict itself. For Birgitte’s political purposes she needed to announce the signing of a big deal between the Kharanese quickly.

In real life the Sudan conflict took years before an agreement could be reached between North and South Sudan, but in Borgen time this was reduced to days.

The hub of the negotiations had a white board  and on it was listed a whole range of areas of contention and what in practice would take a huge team of negotiators many months if not years were quickly ticked off by lead negotiators Amir Dwian, brought in because they need a trustworthy muslim,  and Bent Serjo.

The two episodes felt very much like Borgen had left it comfort zone and were very unsatisfactory, a changed from the measured and well nuanced political drama we know this to be.

I expect a return next week to the more familiar environs around Christiansborg.

BBC4…Borgen – Has Birgitte Nyborg finally crossed to the dark side?

20 Jan

Ok I am not going to beat around the bush here but last night Borgen was some of the best TV I have watched in a long time, the final scene with Kasper Juul (Pilou Asbæk) was a tour de force, an award-winning portrayal of a man with a deeply scarred soul.

In season One a secret was shared with the viewers about Kasper Juul, a deep dark secret of his sexual abuse by his father. A vile abuse in a lonely home somewhere deep in Denmark. We came to learn that what seemed to be the arrogant swagger of a workaholic Lothario who prowled the corridors of power at the Borgen was a cover to hide a deeply ingrained emotional trauma.

This week more was revealed about the nature of that trauma, we learnt that it wasn’t just his father who had raped him, but he was shared like some weekly prize amongst his father’s peadophiliac poker buddies. We saw the emotional blackmail used by his father to hide his vile crimes from Kasper’s mum. We were however still the only ones who have shared these horrific memories with Kasper. Katrine, Lotte and Birgitte, all the women in his life had no idea till this episode.

Katrine was the closest to the truth but still so far till tonight. In an emotional scene Kasper retrieved the only possession he seemed to have, a collection of bits and pieces from his parents house including a VHS video and newspaper clippings. After a heated argument with Lotte his current girlfriend, as once again Kasper failure to commit unravels a relationship, he storms out of her flat.

It seems at this point he comes to some sort of epiphany, that he needs to share the burden he has carried all his life with some one else. He hands the collection of his memories to Katrine at her flat and walks away. Reading through the clips and watching the video she suddenly begins to understand all the layers Kasper had been hiding behind, the lies about his family in the South of France, the fear of commitment. She sees the pain, loneliness and despair Kasper had lived with.

The moment Kasper and Katrine meet again no words need to be spoken. We now all knew.

While Kasper was unburdening his soul Birgitte burdens were getting heavier and the idealism of season one was being replaced a much darker cynicism. A cynicism which she is quick to embrace but whose outcomes she struggles to control. We see how quickly she throws her long term ally Amir Dwian, the Green Party Leader, to the baying Press hounds when she leaks his love of a petrol guzzling vintage car to press, sparking a frenzy to expose the hypocrisy of his position.

She does this to force his hand into agreeing to some government legislation, but in doing so precipitated the end of Amir’s political career, the Green Party leaving the coalition and transforming her government into a minority one.

One the home front we see that being single mother and Prime Minister of a medium sized western European nation is not a recommended career progression. Her children, especially her daughter Laura are feeling the strain but Birgitte can’t see it.

She believes she is on a mission borne out of idealism but is this still the case or is it as the opening quote suggests “Much that passes as idealism is a disguised love of power. ”

One a side not the deliciously odious Svend Åge Saltum is given a lot of airtime and he rises admirably to his role as the pantomime villain of the piece (at least for now).