“If an injury has to be done to a man it should be so severe that his vengeance need not be feared” – Machiavelli
This was the opening quote in the credits of the second episode of yesterday’s Borgen double-header but it could apply to either of the two back to back episodes, and really when you think about it to the whole season as Borgen is getting very Machiavellian.
In Season One Birgitte Nyborg was breath of fresh air, a reformer, a political outsider with principled stands seeking to put the good ship SS Denmark back on course. Gradually though the dark princes of political arts began once again to weave their webs of deceit and lies and have begun to ensnare Nyborg. The two episodes contained two coup d’etat’s, one long, drawn out and carefully plotted. The other sharp and instant, with fatal consequences.
On the political front both episodes centred around the Labour Party, Nyborg’s partners in the coalition.
In the first episode we witness the slow lingering political regicide of Bjørn Marrot the Labour Party Leader and Foreign Minister. This tale has echoes of the change the UK’s Labour Party has gone through. Marrot was old school, an apprentice welder who had worked his way to the upper echelon’s of the Labour Party, his failing though was for what he had in political conviction he lacked in political finesse, he could almost have been former Deputy Prime Minister John Prescott. He simply was not ‘New’ Labour.
The party was being taken over by sharp suited career politicians, symbolised by the justice Minister, Troels Höxenhaven and they were keen for a party in their mold.
The plot started of with a series of leaks to the press about gaffes by Marrot, an interview with the BBC in English where he mixed his metaphors and created a new one – “Don’t shoot the parrot’, not knowing what a black tie dinner meant, and leaks about porn and mini bar drinks charged to the foreign ministry.
The moment of execution was left to the day of a seaside cabinet summit that Nyborg had called to agree major changes to Denmark’s welfare state. One change in particular, early retirement seemed to be causing dissent in the Labour Party.
Nyborg needed unanimity from the cabinet in order to push through a controversial legislation, but every time Marrot thought he had got a Labour position he was being briefed against by party insiders.
At the summit it came to a head when Höxenhaven and his colleague Pernille Madsen openly disagreed with him. Marrot turned to his long-term ally Defence Minister Hans Christian Thorsen for support, and in a telling moment that support did not come.
Marrot exploded in rage at his supposed colleagues, but the deed was done and a simple “e tu Thorsen” probably would have served.
The summit was cancelled and out of the embers of Marrot’s Leadership emerged the new Labour leader a suave, smiling Höxenhaven.
The Princes of political dark arts however were not done. In season one current Ekspres newspaper editor Michael Laugesen was the head of the Labour party and his fall from grace was aided by Höxenhaven, a treachery he had not forgiven or forgotten. Laugesen was also an ally of Marrot all sufficient reason for him to have more than a passing interest in the turmoil in the Labour party.
Laugesen however is not a man who waits for things to happen, he makes things happen. There had long been whispers that Höxenhaven had a penchant for young men despite his marriage of 16 years and this was to prove to be the weapon of choice for Laugesen. He embedded a rent boy in the media team he had sent to cover the cabinet summit with a view to ensnaring Höxenhaven. It worked.
His original plan was to publish an expose written by Katrine Fønsmark in the newspaper, but both her and her editor Hanne Holm had reservations about how relevant an expose on a cabinet minister’s sexuality was. Laugesen argued that the issue was about trust but they remain unconvinced. As the saying goes if you got to do a job properly, you have got to do it yourself.
Cue a late night meeting between Laugesen and Höxenhaven in which copies of the pictures were handed over. I never liked the Höxenhaven character he seemed spineless and untrustworthy but at that moment when he realised everything, his personal and professional life was about to crash down around him, you would have to sympathise.
Shattered, Höxenhaven meets up with Nyborg to tender his resignation and the next day is found dead. He committed suicide using tables Nyborg kept in her office.
In a little moment that again shows the erosion of her wholesomeness, Nyborg agrees to have the source of the tablets covered up. A harmless coverup one might say, but it starts soemwhere.
Outside the political arena Birgitte gets to meet the new woman in ex-husband Philip’s life, Cecile Toft, Amazonian blonde, blue eyes, expert Mexican food cook and a pediatrician what’s not to like if you’re Philip and wants not to dislike if you are Birgitte.
The reality that her marriage is truly over pushes Birgitte into a moment of extreme emotional fragility and straight into the arms and bed of her chauffeur a moment of weakness that would come back to hunt her. I am not sure if it was intentional but the scene where the chauffeur is fixing her plumbing when she entices him is the ultimate parody of a 70′s porn film.
Katrine and Kasper Juul’s never quite ended relationship flickers back into life as they engage in a romantic tryst first at the cabinet summit and later back at Katrine’s flat but there is too much baggage from before and Kasper’s realises (or at least I think he does) that it is not going to work with Katrine. He is not ready to open up to her in the way she wants.
In a desperate move he announces he is cutting off all professional contact with her, but not before Katrine hands him one last bombshell, evidence that Laugesen set Höxenhaven up.
Nyborg confronts Laugesen with the information and demands change in the attitude of his paper to her government, relaxed and smarmy as ever Laugesen brings up ger romantic dalliance with her chauffeur. 1-0 to Laugesen methinks.